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With screenwriter Steven Levenson, Miranda has turned Larson’s show into something that stretches further into his life and widened its scope. Miranda’s journey isn’t Larson’s, but as two of the most essential American composers and playwrights of the last 30 years, they share a bond of city and quest. And coming from Miranda, whose own New York-set breakthrough, “In the Heights,” was inspired by Larson’s “Rent,” the film is in some broad sense autobiographical, too. BOOM!” is a tender ode to Larson, just as it is a tribute to all Broadway pursuit. It’s easy to aggrandize young artistic ambitions, and easier still when the dreamer in question died far too early.
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Miranda’s movie is exuberant and big-hearted - maybe too much so. BOOM!” suggests a make-or-break countdown. The prospect of being not a playwright with a side-hustle to pay the bills but a waiter with a hobby looms for Larson like a terrifying purgatory. Before “Rent,” Larson spent years developing a futuristic musical, “Superbia.” When it failed to get produced, he turned the story of making that musical into a one-man show about his all-consuming pressure to succeed as an artist before he turned 30. He died from an undiagnosed heart defect at the age of 35, the day his opus, “Rent,” began previews off-Broadway. Larson, himself, never got to see his success. BOOM!” seems mythologized, that’s appropriate. He lives in a dilapidated downtown apartment with a revolving door of roommates he casually crafts songs at late-night parties he daydreams while waiting tables at a diner. As played by Andrew Garfield, Larson is a paragon of artistic struggle.
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Miranda’s film, his accomplished directorial debut, is a portrait of the artist as a deeply passionate, overwhelmingly self-involved young man. Opens Friday at local theaters and available Nov. Rated PG-13 (for some strong language, some suggestive material and drug references). Netflix presents a film directed by Lin-Manuel Miranda and written by Steven Levenson, based on a musical by Jonathan Larson.